Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research enquiry focuses on the process of artistic endeavour, alongside models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.

Exhibition: Documents, Alternatives



Clare Thornton and I are presenting work from our ongoing collaboration The Italic I, as part of the unfolding curatorial project Documents, Alternatives (2017 – 2018). The Italic I is a collaborative enquiry for exploring the different states of potential made possible through purposefully surrendering to the event of a repeated fall. Parallel to performance and its visual documents, The Italic I has involved the production of a textual lexicon for reflecting on the different episodes within falling, generated through the ‘free-fall’ of conversational exchange. An attempt is made to slow and extend the duration of falling in order to elaborate upon its various phases or ‘scenes’. For Documents, Alternatives, at Airspace Gallery, Cocker and Thornton present a slowly looping text-work developed in dialogue with creative technologist Dane Watkins. 

Documents, Alternatives is curated by Ang Bartram and develops the curatorial concerns initiated within The Alternative Document, 2016, an exhibition and symposium staged at ProjectSpacePlus, Lincoln, 2015. Documents, Alternatives will unfold over a series of exhibitions and symposia including at Airspace Gallery (Stoke on Trent): 17 November – 16 December 2017; Verge Gallery, Sydney, 18 January - 24 February); B-Side Gallery (Bath Spa University): 20 April – 11 May 2018; ONCA Gallery (Brighton) as part of Brighton Digital Festival: 21 September – 8 October 2018.